Toontrack The Jazz Sessions SDX Full Version Download
Recording and mixing jazz is an art in itself, especially when it comes to drums. It calls for balancing a dynamic range that spans the nuanced and feathery light to the vivid and utterly explosive. Someone who has an uncanny ability to capture exactly that and at the same time bring out the true acoustic voice in any instrument he puts a mic to is James Farber. With well over 1,000 albums to his name, more than 40 years of back-to-back work producing records of the highest echelon and a discography that reads like a who’s who of jazz, he is nothing short of an industry icon. The seminal albums by the likes of Michael Brecker, John Scofield and Joshua Redman as well as, not least, his work with jazz drumming greats like Elvin Jones, Jack DeJohnette, Paul Motian, Bill Stewart, Brian Blade and Antonio Sanchez are – to say the least – a testament to that.
This SDX for Superior Drummer 3 sets out to pinpoint the milestone sounds and eras of jazz drums from its early days until now. Where better to capture that than in the jazz capital of the world and at one of the most storied studios ever built: New York City’s iconic Power Station. Aside from having housed arguably more legendary artists than any other studio on the planet, it is also the very spot where James spent his formative years, recorded some of his seminal work and still considers the be-all-end-all place to capture jazz drums.
In total, seven kits were handpicked for the session, each selected to represent a distinct jazz era, sound or milestone record in James’ career. Aside from every kit being sampled with drumsticks, selected kits and instruments were also captured with brushes, rods, mallets and even hands.
In addition to the drums, an extensive collection of mix-ready presets for each kit and configuration are provided, allowing you instant access to fully fledged and balanced drum mixes by James himself. These mixes can be used as is or as starting points to venture off from in order to create sounds for virtually anything your imagination allows.
To sum this SDX up, it’s got the engineer, the kits and the studio. If you’re passionate about jazz and looking to add a bookend-type collection of drum sounds to your toolbox, straight from the world’s jazz capital and one of the most influential jazz recording engineers of the past four decades – here you go. Get ready for some jazz magic.
- Recorded at Power Station in New York City by legendary engineer/mixer James Farber
- Seven complete kits, each representing its own jazz era, style or sound
- Features kits sampled with sticks, brushes, rods, mallets and hands
- Four different ambiences (Studio A and C main rooms with respective adjacent booths)
- Selected kits recorded with a 5.0 surround mic setup
- Drum and tuning technician: Artie Smith
- Comes with an extensive library of MIDI featuring material tailored for different jazz styles, the different tools recorded and more
- Includes a broad collection of mix-ready presets for each kit and configuration
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SELECTED DISCOGRAPHY.
Michael Brecker “s/t” (1987)
Peter Erskine “Transition” (1987)
Steps Ahead “Modern Times” (1984)
James Taylor “Never Die Young” (1988)
Don Grolnick “Weaver of Dreams” (1990)
James Taylor “New Moon Shine” (1991)
Peter Erskine “Sweet Soul” (1991)
John Scofield “Grace Under Pressure” (1992)
Joe Lovano “From the Soul” (1992)
Joshua Redman “s/t” (1993)
Joe Lovano “Universal Language” (1993)
Joshua Redman “Wish” (1993)
Larry Goldings “Caminhos Cruzados” (1994)
Joshua Redman “Mood Swing” (1994)
Yellowjackets “Run for Your Life” (1994)
Pat Metheny/John Scofield “I Can See Your House from Here” (1994)
John Scofield “Hand Jive” (1994)
Steve Kahn “Crossings” (1994)
Larry Goldings “Big Stuff” (1994)
Michael Brecker “Two Blocks from the Edge” (1998)
Joshua Redman “Timeless Tales for Changing Times” (1998)
Count Basie “Live at the Sands” (1998)
Dave Holland “Prime Directive” (1999)
Joe Lovano Nonet “52 Street Themes” (2000)
Larry Goldings “As One” (2001)
Dave Holland “Extended Play: Live at Birdland” (2003)
Brad Mehldau “Anything Goes” (2004)
Paul Motion Trio “I Have the Room Above Her” (2005)
Bill Frisell, Ron Carter, Paul Motian “s/t” (2006)
Chris Potter “Song for Anyone” (2007)
John Scofield “Piety Street” (2009)
Billy Hart “One Is the Other” (2014)
Chris Potter “Imaginary Cities” (2015)
Jack DeJohnette “Made in Chicago” (2015)
Brad Mehldau “Blues and Ballads” (2016)
Fred Hersch “Sunday at the Vanguard” (2016)
Lee Konitz “Frescalalto” (2017)
Bill Stewart “Band Menu” (2018)
Bill Charlap “Street of Dreams” (2021)
Bill Frisell “Four” (2022)
Kendrick Scott “Corridors” (2023)
Leaving performance aside, when recording jazz drums – what is the number one most important factor to you?
When close miking all the elements of a drum kit, the most important thing is to mix those individual elements to reflect the drummer’s groove. If you counteract the drummer’s intention, the music will suffer.
You have recorded at Power Station since the 1980s. Why has this studio stayed your go-to and, particularly, why does it work so well for jazz sessions?
Power Station was created for musicians. Musicians love playing in the various acoustically designed spaces, which inspire them. As we know, the better the playing, the better the recording. The control room acoustics can be trusted so what you hear in there sounds the same when you take it home. And Neve consoles are the best. Since I spent my early career on staff at Power Station, it will always feel like home to me and, since I know the rooms and mics so well, I can be instinctive when working there.
You have recorded many styles over the years but found your niche in jazz. How come?
I was a jazz piano player during my college years and that’s the music I listen to at home. So, naturally, I gravitated toward recording jazz. I dig working with the best musicians on the planet who make my job easy – and almost never having to do any overdubs!
Looking back on well over 1,000 albums and sessions with some of the greatest artists and drummers like John Scofield, James Taylor, Elvin Jones, Jack DeJohnette, Paul Motian, Bill Stewart, Brian Blade and many, many more – are there any sessions, songs, takes or even moments that really stand out?
Getting to work with legends like Elvin, Roy Haynes, Billy Higgins, Jack DeJohnette and Paul Motian, plus contemporary masters like Brian Blade and Bill Stewart, is the dream of a lifetime. When working with the legends, I always dug the chance to sit and talk with them about their classic recordings by Miles, Ornette, Eric Dolphy, Mingus, and Lennie Tristano.
Now that the project is done and you’ve had a chance to sit down and work with the sounds, what are your thoughts?
I wasn’t initially sure about getting involved with a drum sampling project, but I’m so glad I did it. I got to record some classic kits I would never see in real life. Plus, the Toontrack team was just the best to work with in every respect. I’m sure we came up with a library of drums sounds that adds to the already impressive Toontrack catalog. I’m most curious to see how these sounds will eventually be used in the field.
SYSTEM REQUIREMENTS.
For the full installation of this product you will need approximately 161 GB of free hard drive space, plus an additional 161 GB is required for the installation process.
8 GB RAM (16 GB RAM or more recommended).
A working Superior Drummer 3.3.6 (or above) installation
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